Sample text for Heir to the glimmering world / Cynthia Ozick.
Bibliographic record and links to related information available from the Library of Congress catalog
Copyrighted sample text provided by the publisher and used with permission. May be incomplete or contain other coding.
In 1935, when I was just eighteen, I entered the household of Rudolf
Mitwisser, the scholar of Karaism. "The scholar of Karaism"— at that
time I had no idea what that meant, or why it should be "the" instead of
"a," or who Rudolf Mitwisser was. I understood only that he was the father
of what seemed to be numerous children, and that he had come
from Germany two years before. I knew these things from an advertisement
in the Albany Star:
Professor, arrived 1933 Berlin, children 3–14,
requires assistant, relocate NYC. Respond
Mitwisser, 22 Westerley.
It read like a telegram; Professor Mitwisser, I would soon learn, was
parsimonious. The ad did not mention Elsa, his wife. Possibly he had
forgotten about her.
In my letter of reply I said that I would be willing to go to New
York, though it was not clear from the notice in the Star what sort of
assistance was needed. Since the ad had included the age of a very young
child, was it a nanny that was desired? I said I would be pleased to take
on the job of nanny.
It was Elsa, not Mitwisser, who initiated the interview—though, as
it turned out, she was not in charge of it. In that family she was in charge
of little enough. I rode the bus to a corner populated by a cluster of small
shabby stores—grocery, shoemaker"s, dry cleaner"s, and under a tattered
awning a dim coffee shop vomiting out odors of some foul stuff frying.
The windows of all these establishments were impenetrably dirty. Across
the street a deserted gas station had long ago gone out of business: several
large dogs scrabbled over the oil-blackened pavement and lifted
their hind legs against the rusting pumps.
The address in the ad drew me along narrow old sidewalks fronting
narrow old houses in what I had come to think of as the Albany style: part
Hudson Gothic, part Dutch settler. But mainly old. There were bowshaped
stained-glass insets over all the doors. The lamps in the rooms behind
them, glowing violet and amber through the lead-bordered segments
of colored panes, shut me out. I thought of underground creatures
kept from the light. It was November, getting on to an early dusk.
Frau Mitwisser led me into a tiny parlor so dark that it took some
time before her face, small and timid as a vole"s, glimmered into focus.
"Forgive me," she began, "Rudi wishes not the waste of electricity. We
have not so much money. We cannot pay much. Food and a bed and not
so many dollars." She stopped; her eyelids looked swollen. "The tutor
for my sons, it was you see . . . charity. Also the beds, the linens—"
She was all apology: the slope of her shoulders, her ﬁdgety hands
twittering around her mouth, or reaching into the air for a phantom
rope to haul her out of sight. Helplessly but somehow also slyly, she was
reversing our mutual obligation—she appealing for my sympathy, I
with the power to withhold it. It was hard to take in those pursed umlauts
sprinkled through her vowels, and the throaty burr of her voice was
lanced by pricks so sharp that I pulled back a little. She saw this and
instantly begged my pardon.
"Forgive me," she said again. "It gives much difﬁculty with my accent.
At my age to change the language is not so simple. You will see
with my husband the very great difference. In his youth for four years he
studies at Cambridge University in England, he becomes like an Englishman.
You will see. But I . . . I do not have the — wie nennt man
Her last word was shattered by an enormous thud above our heads.
I looked up: was the ceiling about to fall in on us? A second thud. A
"The big ones," Frau Mitwisser said. "They make a game, to jump
from the top of the . . . Kleiderschrank, how you call this? I tell them every
day no, but anyhow they jump."
This gave me a chance to restore us to business. "And the littler
ones?" I asked. "Do you need help with them?"
In the dimness I glimpsed her bewilderment; it was as if she was
begging for eclipse.
"No, no, we go to New York so Rudi is close to the big library. Here
is for him so little. The committee, it is so very kind that they give us this
house, and also they make possible the work at the College, but now it is
enough, Rudi must go to New York."
A gargantuan crash overhead: a drizzle of plaster dust landed on my
"Forgive me," Frau Mitwisser said. "Better I go upstairs now, nicht
She hurried out and left me alone in the dark. I buttoned up my
coat; the interview, it seemed, was over. I had understood almost nothing.
If they didn"t want a nanny here, what did they want? And if they
had had a tutor, what had become of the tutor? Had they paid too little
to keep him? On an angry impulse I switched on a lamp; the pale bulb
cast a stingy yellow stain on a threadbare rug. From the condition of the
sofa and an armchair, much abused, I gathered that "the big ones" were
accustomed to assaulting the furniture downstairs as well as upstairs—
or else what I was seeing was thrift-shop impoverishment. A woolen
shawl covered a battered little side-table, and propped on it, in a ﬂower-
embossed heavy silver frame that contradicted all its surroundings, was a
photograph—hand-tinted, gravely posed, redolent of some incomprehensible
foreignness—of a dark-haired young woman in a high collar
seated next to a very large plant. The plant"s leaves were spear-shaped,
serrated, and painted what must once have been a natural enough green,
faded to the color of mud. The plant grew out of a great stone urn, on
which the face and wings of a cherub were carved in relief.
I turned off the lamp and headed for the front door with its stained-glass
inset, and was almost at the sidewalk (by now it was fully night)
when I heard someone call, "Fräulein! You there! Come back!"
The dark ﬁgure of a giant stood in the unlit doorway. Those alien
syllables —"Fräulein," yelled into the street like that—put me off. Already
I disliked the foreignness of this house: Elsa Mitwisser"s difﬁcult
and resentful English, the elitist solemnity of the silver frame and its
photo, the makeshift hand-me-down sitting room. These were refugees;
everything about them was bound to be makeshift, provisional, resentful.
I would have gone home then and there, if there had been a home to
go to, but it was clear that my cousin Bertram was no longer happy to
have me. I was a sort of refugee myself.
(Some weeks later, when I dared to say this to Anneliese—"I sometimes
feel like a refugee myself"—she shot me a look of purest contempt.)
Like a dog that has been whistled for, I followed him back into the
"Now we have light," he said, in a voice so authoritatively godlike
that it might just as well have boomed "Let there be light" at the beginning
of the world. He ﬁngered the lamp. Once again the faint yellow
stain appeared on the rug and seeped through the room. "To dispel the
blackness, yes? Our circumstances have also been black. They are not so
easeful. You have already seen my nervous Elsa. So that is why she leaves
it to me to ﬁnish the talk."
He was as far from resembling an Englishman as I could imagine.
In spite of the readier ﬂow of language (a hundred times readier than his
wife"s), he was German—densely, irrevocably German. My letter was in
his hands: very large hands, with big ﬂattened thumbs and coarse nails,
strangely humped and striated—more a machinist"s hands than a
scholar"s. In the niggardly light (twenty-ﬁve watts, I speculated) he
seemed less gargantuan than the immense form in the doorway that had
called me back from the street. But I was conscious of a force, of a man
accustomed to dictating his conditions.
"My ﬁrst requirement," Mitwisser said, "is your freedom to leave
"I can do that," I said. "I"d like to."
"It is what I would like that is at issue. And what I would like is a
certain engagement with—I will not say ideas. But you must be able to
understand what I ask of you."
"I"ve done most of a year of college."
"Less than Gymnasium. What is this nonsense you write here about
a nanny? How is this responsive?"
"Well, your ad mentioned children, so I thought—"
"You thought mistakenly. You should know that my work has to do
precisely with opposition to the arrogance of received interpretation.
Received interpretation is often enough simply error. Why should I not
speak everywhere of my children? There is no context or relation in
which they do not have a part. That is why your obligations will on occasion
include them—but your primary duty is to me. And you will try
not to disturb my poor wife."
It seemed, then, that I was hired—though I still did not know for
And it was not until a long time afterward that Anneliese conﬁded
that there had been (even in that period of crisis unemployment) no
Library of Congress subject headings for this publication: Bronx (New York, N, Y, ) Fiction, Inheritance and succession Fiction, Children of authors Fiction, Refugees, Jewish Fiction, Jewish families Fiction, Benefactors Fiction, Rich people Fiction, Nannies Fiction, Orphans Fiction