Sample text for Francis Ford Coppola's Zoetrope all-story 2 / Francis Ford Coppola ; edited by Adrienne Brodeur and Samantha Schnee ; with an introduction by Francis Ford Coppola.

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The Cavemen in the Hedges

There are cavemen in the hedges again. I take the pellet gun from the rack beside the door and go out back and try to run them off. These cavemen are tough sons of bitches who are impervious to pain, but they love anything shiny, so I load the gun up with golden Mardi Gras beads my girlfriend, Kim, keeps in a bowl on the dresser and aim toward their ankles. There are two of them, hairy and squat, grunting around inside a privet hedge I have harassed with great labor into a series of rectilinear shapes. It takes the cavemen a while to register the beads. It's said that they have poor eyesight, and of all the bullshit printed in the papers about the cavemen in the past few months, this at least seems to be true. They crash through the branches, doing something distasteful. Maybe they're eating garbage. After a while they notice the beads and crawl out, covered in leaves, and start loping after them. They chase them down the alley, occasionally scooping up a few and whining to each other in that high-pitched way they have when they get excited, like little kids complaining.

I take a few steps off the edge of the patio and aim toward the Andersons' lot. The cavemen scramble after the beads, their matted backs receding into the distance.

"What is it?" Kim stands behind me and touches my arm. She's been staying indoors a lot lately, working on the house, keeping to herself. She hasn't said so, but it's pretty obvious the cavemen scare her.

"A couple of furry motherfuckers."

"I think they are," she says.


"Motherfuckers. Without taboos. It's disgusting." She shivers and heads back inside.

After scanning the treetops, I follow. There haven't been any climbers reported so far, but they are nothing if not unpredictable. Inside, I find Kim sitting on the kitchen floor, arranging our spices alphabetically. She's transferring them out of their grocery store bottles and into nicer ones, plain glass, neatly labeled. Kim has been tirelessly arranging things for the last four years-first the contents of our apartment on Pine Avenue, then, as her interior decorating business took off, other people's places, and lately our own house, since we took the plunge and bought it together last September. She finishes with fenugreek and picks up the galanga.

I go to the living room and put on some music. It's a nice, warm Saturday and if it weren't for the cavemen, we'd probably be spending it outdoors.

"Did you lock it?"

I tell her yes. I get a beer from the fridge and watch her. She's up to Greek seasonings. Her slim back is tense under her stretchy black top. The music kicks in and we don't say much for a few minutes. The band is D.I., and they're singing: "Johnny's got a problem and it's out of control!" We used to be punk rockers, Kim and I, back in the day. Now we are homeowners. When the kids down the street throw loud parties, we immediately dial 911.

"The thing that gets me," I say, "is how puny they are."

"What do they want?" asks Kim. Her hair is springing out of its plastic clamp, and she looks like she's going to cry. "What the fuck do they want with us?"

When the cavemen first appeared, they were assumed to be homeless examples of modern man. But it soon became obvious that even the most broken-down and mentally ill homeless guy wasn't this hairy. Or naked, hammer-browed, and short. And they didn't rummage through garbage cans and trash piles with an insatiable desire for spherical, shiny objects, empty shampoo bottles, and foam packing peanuts.

A reporter from KUTA had a hunch and sent a paleontologist from the university out to do a little fieldwork. For some reason I was watching the local news that night, and I remember this guy-typical academic, bad haircut, bad teeth-holding something in a take-out box. He said it was scat. Just when you think the news can't get any more absurd, there's a guy on TV, holding a turd in his hands, telling you the hairy people scurrying around the bike paths and Dumpsters of our fair berg are probably Neanderthal, from the Middle Paleolithic period, and that they have been surviving on a diet of pizza crusts, unchewed insects, and pigeon eggs.

People started calling them cavemen, though they were both male and female and tended to live in culverts, heavy brush, and freeway underpasses, rather than caves. Or they lived wherever-they turned up in weird places. The security guard at the Ice-O-Plex heard an eerie yipping one night. He flipped on the lights and found a half dozen of them sliding around the rink like otters. At least we knew another thing about them. They loved ice.

Facts about the cavemen have been difficult to establish. It is unclear if they're protected by the law. It is unclear if they are responsible for their actions. It has been determined that they're a nuisance to property and a threat to themselves. They will break into cars and climb fences to gain access to swimming pools, where they drop to all fours to drink. They will snatch food out of trucks or bins and eat out of trash cans. They avoid modern man as a general rule but are becoming bolder by the hour. The university students attempting to study them have had difficulties, though they've managed to discover that the cavemen cannot be taught or tamed and are extremely difficult to contain. They're strong for their size. It's hard to hurt them but they're simple to distract. They love pink plastic figurines and all things little-girl pretty. They love products perfumed with synthetic woodsy or herbal scents. You can shoot at them with rubber bullets all day and they'll just stand there, scratching their asses, but if you wave a little bottle of Barbie bubble bath in front of them they'll follow you around like a dog. They do not understand deterrence. They understand desire.

Fathers, lock up your daughters.

Kim sits across from me at the table, fingering the stem of her wineglass and giving me The Look. She gets The Look whenever I confess that I'm not ready to get married yet. The Look is a peculiar expression, pained and brave, like Kim has swallowed a bee but she isn't going to let on.

"It's fine," she says. "It's not like I'm all goddamn ready either."

I drain my glass and sigh. Tonight she's made a fennel-basil lasagna, lit candles, and scratched the price tag off the wine. Kim and I have been together for ten years, since we were twenty-three, and she's still a real firecracker, brainy, blonde, and bitchy. What I have in Kim is one of those cute little women with a swishy ponytail who cuts people off in traffic while swearing like a Marine. She's a fierce one, grinding her teeth all night long, grimly determined, though the object of her determination is usually vague or unclear. I've never wanted anyone else. And I've followed her instructions. I've nested. I mean, we bought a house together. We're co-borrowers on a thirty-year mortgage. Isn't that commitment enough?

Oh no, I can see it is not. She shoots me The Look a couple more times and begins grabbing dishes off the table and piling them in the sink. Kim wants the whole ordeal: a white dress, bridesmaids stuffed into taffeta, a soft rain of cherry blossoms. I want none of it. The whole idea of marriage makes me want to pull a dry cleaning bag over my head. I miss our punk rock days, Kim and me and our loser friends playing in bands, hawking spit at guys in BMWs, shooting drugs...and living in basements with anarchy tattoos poking through the rips in our clothing. Those times are gone and we've since established real credit ratings, I had the circled-A tattoo lasered off my neck, but...But. I feel like marriage would exterminate the last shred of the rebel in me. For some reason, I think of marriage as a living death.

Or, I don't know, maybe I'm just a typical guy, don't want to pay for the cow if I can get the milk for free.

Kim is leaning in the open doorway, gazing out at the street, sucking on a cigarette. She doesn't smoke much anymore, but every time I tell her I'm not ready she rips through a pack in a day and a half. "They'd probably ruin it anyway," she says, watching a trio of cavemen out on the street, loping along, sniffing the sidewalk. They fan out and then move back together to briefly touch one another's ragged, dirty brown fur with their noses. The one on the end, lighter-boned with small, pale breasts poking out of her chest hair, stops dead in her tracks and begins making a cooing sound at the sky. It must be a full moon. Then she squats and pees a silver puddle onto the road.

Kim stares at her. She forgets to take a drag and ash builds on the end of her cigarette. I know her; I know what she's thinking. She's picturing hordes of cavemen crashing the reception, grabbing canapés with their fists, rubbing their crotches against the floral arrangements. That would never do. She's too much of a perfectionist to ever allow that.

When I first saw the cavemen scurrying around town, I have to admit I was horrified. It was like when kids started to wear those huge pants-I couldn't get used to it, I couldn't get over the shock. But now I have hopes Kim will let the marriage idea slide for a while. For this reason I am somewhat grateful to the cavemen.

It rains for three days and the railroad underpasses flood. The washes are all running and on the news there are shots of SUVs bobbing in the current because some idiot ignored the DO NOT ENTER WHEN FLOODED sign and tried to gun it through four feet of rushing water. A lot of cavemen have been driven out of their nests and the incident level is way up. They roam around the city hungry and disoriented. We keep the doors locked at all times. Kim has a few stashes of sample-sized shampoo bottles around the house. She says she'll toss them out like trick-or-treat candy if any cavemen come around hassling her. So far, we haven't had any trouble.

Our neighbors, the Schaefers, haven't been so lucky. Kim invites them over for dinner one night, even though she knows I can't stand them. The Schaefers are these lonely, New Age hippies who are always staggering toward us with eager, too-friendly looks on their faces, arms outstretched, like they're going to grab our necks and start sucking. I beg Kim not to invite them, but at this stage in the game she seems to relish annoying me. They arrive dressed in gauzy robes. It turns out Winsome has made us a hammock out of hemp in a grasping attempt to secure our friendship. I tell her it's terrific and take it into the spare room where I stuff it in a closet, fully aware that by morning all of our coats are going to smell like bongwater.

When I return, everyone is sipping wine in the living room while the storm wets down the windows. Winsome is describing how she found a dead cavebaby in their backyard.

"It must not have been there for long," she says, her huge, oil-on-velvet eyes welling up with tears, "because it just looked like it was sleeping, and it wasn't very stiff. Its mother had wrapped it in tinsel, like for Christmas."

"Ick," says Kim. "How can you cry for those things?"

"It looked so vulnerable." Winsome leans forward and touches Kim's knee. "I sensed it had a spirit. I mean, they're human or protohuman or whatever."

"I don't care," says Kim, "I think they're disgusting."

"Isn't that kind of judgmental?"

"I think we should try to understand them," chimes in Evan, smoothing down his smock-every inch the soulful, sandal-wearing, sensitive man. "In a sense, they're us. If we understood why that female caveman wrapped her baby in tinsel, perhaps we'd know a little more about ourselves."

"I don't see why people can't just say 'cavewoman,'" snaps Kim. "'Female caveman' is weird, like 'male nurse.' Besides, they are not us. We're supposed to have won. You know, survival of the fittest."

"It might be that it's time we expanded our definition of 'humanity,'" intones Evan. "It might be that it's time we welcome all creatures on planet Earth."

I'm so incredibly annoyed by Evan that I have to go into the bathroom and splash cold water on my face. When I get back, Kim has herded the Schaefers into the dining room, where she proceeds to serve us a deluxe vegetarian feast: little kabobs of tofu skewered along with baby turnips, green beans, rice, and steamed leaf of something or other. Everything is lovely, symmetrical, and delicious, as always. The house looks great. Kim has cleaned and polished and organized the contents of each room until it's like living in a furniture store. The Schaefers praise everything and Kim grumbles her thanks. The thing about Kim is she's a wonderful cook, a great creator of ambiance, but she has a habit of getting annoyed with her guests, as if no one could ever be grateful enough for her efforts. We drain a couple more bottles of wine and after a while I notice that Kim has become fed up with the Schaefers too. She starts giving them The Look.

"Seriously," she begins, "do you two even like being married?"

They exchange a glance.

"No, c'mon, really. It's overrated, right?" Kim pulls the hair off her face and I can see how flushed she is, how infuriated. "I think all that crap about biological clocks and baby lust, it's all sexist propaganda meant to keep women in line."

"Well, I haven't noticed any conspiracy," offers Winsome, checking everyone's face to make sure she's not somehow being disagreeable. "I think marriage is just part of the journey."

"Ha," says Kim. "Ha ha ha." She leans across the table, swaying slightly. "I know," she pronounces, "that you don't believe that hippie shit. I can tell," she whispers, "how fucking lost you really are."

Then she stands, picks up her glass, and weaves toward the back door. "I have to go check the basement."

We stare at the space where Kim was for a while. Winsome is blinking rapidly and Evan keeps clearing his throat. I explain we have an unfinished basement that's been known to fill with water when it rains, and that the only entrance to it is outside in the yard, and that Kim probably wants to make sure that everything's okay down there. They nod vigorously. I can tell they're itching to purify our home with sticks of burning sage.

While Kim is gone I take them into the living room and show them my collection of LPs. I pull out my rare purple vinyl X-Ray Specs record, and after considering this for a while, Winsome informs me that purple is a healing color. We hear a couple of bangs under the house. I toy with the idea of checking on Kim, but then I recall the early days of our courtship, before all this house beautiful crap, when Kim used to hang out the window of my 1956 hearse, which was also purple, and scream "anarchy now!" and "destroy!" while lobbing rocks through smoked glass windows into corporate lobbies. It's difficult to worry about a girl like that.

It doesn't take long for the Schaefers and me to run out of small talk. I have no idea how to get them to go home; social transitions are Kim's jurisdiction. We sit there nodding at each other like idiots until Kim finally straggles back inside. She's muddy, soaked to the bone, and strangely jolly. She says there's about a foot of water in the basement and that she was walking around in there and it's like a big honking wading pool. She giggles. The Schaefers stare with horror at the puddle spreading around her feet onto our nice oak floors. I put my arm around her and kiss her hair. She smells like wet dog.

I come home from work a few days later and find Kim unloading a Toys "R" Us bag. I notice a diamond tiara/necklace set with huge, divorcée-sized fake jewels stuck to a panel of pink cardboard. Again, she seems happy, which is odd for Kim. In fact, she's taken to singing around the house in this new style where she doesn't sing actual words, she goes "nar nar nar" like some demented little kid. It drives me crazy, in particular when the game is on, so I tell her to fucking please cut it out. She glares at me and storms off into the backyard. I let her pout for a while, but I'm in the mood to make an effort, so I eventually go out and find her standing on a chair, hanging over the hedge, gazing at the alley. I lean in beside her and see a caveman shambling off with a red bandana tied around his neck, like a puppy.

"That's weird."

"Look at his butt."

I look. There's a big blob of pink bubble gum stuck in his fur.

"God," says Kim, "isn't that pitiful?"

I ask her what we're having for dinner. She looks at me blankly and says I don't know, what are we having for dinner. I tell her I'll cook, and when I get back from picking up the pizza she's nowhere to be found. I walk from one empty room to another while the hairs on my arms start to tingle. I have to say, there's a peculiar feeling building in the household. Things are in a state of slight disarray. There's a candy bar wrapper on the coffee table, and the bag from the toy store is on the kitchen floor. I yell Kim's name. When she doesn't appear I turn on the TV and eat a few slices straight from the box. For some reason that starts to bother me, so I get up and get a plate, silverware, and a paper napkin. Kim walks in a little while later. She's wet from the waist down and all flushed, as if she's been doing calisthenics.

"I was bailing out the basement!" she says, with great verve, like basement bailing is a terrific new sport. Her hair is tangled around her head and she's sucking on a strand of it. She is smiling away. She says: "I'm worried about letting all that water just stand down there!"

But she doesn't look worried.

On the news one night, a psychic with a flashlight shining up under his chin explains there's a time portal in the condemned Pizza Hut by the freeway. Though the mayor whines he wasn't elected to buckle to the whim of every nutbar with an opinion, there are televised protests featuring people shaking placards proclaiming the Pizza Hut ground zero of unnatural evil, and finally they just bulldoze it to shut everyone up. A while after that, the incident levels start to drop. It seems that the cavemen are thinning out. They are not brainy enough for our world, and they can't stop extinguishing themselves. They tumble into swimming pools and drown. They walk through plate glass windows and sever their arteries. They fall asleep under eighteen-wheelers and wander onto runways and get mauled by pit bulls.

It looks like we're the dominant species after all; rock smashes scissors, Homo sapiens kicks Homo sapiens neanderthalensis's ass.

As the caveman population drops, the ominous feeling around town begins to lift. You can feel it in the air: women jog by themselves instead of in pairs. People barbecue large cuts of meat at dusk. The cavemen, it seems, are thinning out everywhere except around our house. I come home from work and walk through the living room and peek out the back window just in time to see a tough, furry leg disappear through a hole in the hedge. The hole is new. When I go outside and kick around in the landscaping, I find neat little stashes of rhinestones and fake pearls, Barbie shoes, and folded squares of foil wrapping paper. They can't see that well but have the ears of a dog and flee as soon as I rustle the window shades. One time, though, I peel back the shade silently and catch a pair skipping in circles around the clothesline. One of them is gripping something purple and hairy, and when I go out there later I find a soiled My Little Pony doll on the ground. They are not living up to their reputation as club-swinging brutes. More than anything, they resemble feral little girls.

Also, our house has become an unbelievable mess. Kim walks through the door and drops the mail on the coffee table, where it remains for days until I remove it. There are panties on the bathroom floor and water glasses on top of the television and scraps of food on the kitchen counter. I ask Kim what's going on and she just says she's sick of that anal constant-housekeeping-bullshit, and if I want it clean, I can clean it myself. She looks straight at me and says this, without flinching, without any signs of deference or anger or subtle backing away that had always let me know, in nonverbal but gratifying ways, that I had the upper hand in the relationship. She tosses an orange peel on the table before marching outside and descending into the basement.

I stand there in the kitchen, which smells like sour milk, shaking my head and trying to face up to the increasingly obvious fact that my girlfriend of ten years is having an affair, and that her lover is a Neanderthal man from the Pleistocene epoch. They rendezvous in our moldy, water-stained basement where he takes her on the cement floor beneath a canopy of spiderwebs, grunting over her with his animal-like body, or perhaps behind her, so that when she comes back inside there are thick, dark hairs stuck all over her shirt and she smells like a cross between some musky, woodland animal gland and Herbal Essences shampoo. Furthermore, she's stopped shaving her legs.

The next day, I duck out of the office claiming I have a doctor's appointment and zip back home around noon. I open the door with my key and creep inside. I don't know what I'm looking for. I think I half expect to find Kim in bed with one of those things, and that he'll pop up and start "trying to reason" with me in a British accent. What I find instead is an empty house. Kim's car is gone. I poke around, stepping over mounds of dirty clothes, then head out back and take the stairs to the basement. When I pull the door open, the first thing to hit me is the smell of mold and earth. I pace from one side to the other and shine my flashlight around, but I don't see anything suspicious, just an old metal weight-lifting bench with a plastic bucket sitting on top. Maybe, I think, I'm making this whole thing up in my head. Maybe Kim just goes down there because she needs some time to herself.

But then on my way out, I spot something. On the concrete wall beside the door, several feet up, my flashlight picks out a pattern of crude lines. They appear to have been made with charcoal or maybe some type of crayon. When I take a few steps back, I can see it's a drawing, a cave painting of some sort. It's red and black with the occasional pom-pom of dripping orange that looks like it was made by someone who doesn't understand spray paint.

I stand there for two or three minutes trying to figure out what the painting is about, then spend another fifteen trying to convince myself my interpretation is wrong. The picture shows half a dozen cars in a V-shaped formation bearing down on a group of cavemen. The cavemen's flailing limbs suggest flight or panic; obviously, they're in danger of being flattened by the cars. Above them, sketched in a swift, forceful manner, floats a huge, God-like figure with very long arms. One arm cradles the fleeing cavemen while the other blocks the cars. This figure is flowing and graceful and has a big ponytail sprouting from the top of her head. Of course, it's meant to be Kim. Who else?

I go upstairs and sit at the kitchen table, elbowing away half a moldy cantaloupe, and hold my head in my hands. I was hoping it was nothing-a casual flirtation at most-but a guy who makes a cave painting for a girl is probably in love with the girl. And girls love to be loved, even high-strung ones like Kim. I admit I'm hurt, but my hurt switches to anger and my anger to resolve. I can fight this thing. I can win her back. I know her; I know what to do.

I put on rubber gloves and start cleaning everything, thoroughly and with strong-smelling products, the way Kim likes things cleaned. I do the laundry and iron our shirts and line everything up neatly in the closet. I get down on my knees and wipe the baseboards, then up on a chair to dust the lightbulbs. I pull a long clot of hair out of the drain. There's a picture of us in Mexico in a silver frame on top of the medicine cabinet. I pick it up and think: that is my woman! It's civilization versus base instinct, and I vow to deploy the strongest weapon at my disposal: my evolutionarily superior traits. I will use my patience, my facility with machinery and tools, my complex problem-solving skills. I will bathe often and floss my teeth. I will cook with gas.

A little after five Kim walks in and drops the mail on the coffee table. She looks around the house, at the gleaming neatness, smiling slightly and going "nar nar nar" to the tune of "Nobody Does It Better." I stand there in my cleanest suit with my arms hanging at my sides and gaze at her, in her little professional outfit, pretty and sexy in an I-don't-know-it-but-I-do way, clutching her black purse, her hair pulled back with one of those fabric hair things.

"God, I can't believe you cleaned," she says, and walks through the kitchen and out of the house into the yard and slams the basement door behind her.

Kim is so happy. The worst part is she's so disgustingly happy and I could never make her happy all by myself and I don't particularly like her this way. For a couple of weeks she walks around in a delirious haze. She spins around on the porch with her head thrown back and comments on the shape of the clouds. She asks why haven't I bothered to take in the pretty, pretty sunset, all blue and gold. Like I fucking care, I say, forgetting my pledge to be civil. It's as though someone has dumped a bottle of pancake syrup over her head-she has no nastiness left, no edge, no resentment. Her hair is hanging loose and she has dirty feet and bad breath. She smiles all the time. This is not the girl I originally took up with.

Of course, I'm heartsick; I'm torn up inside. Even so, I do my best to act all patient and evolutionarily superior. I keep the house clean enough to lick. I start to cook elaborate meals the minute I get home from work. I groom myself until I'm sleek as a goddamn seal. I aim for a Fred Astaire/James Bond hybrid: smooth, sophisticated, oozing suaveness around the collar and cuffs-the kind of guy who would never fart in front of a woman, at least not audibly. She has a big, inarticulate lug already. I want to provide her with an option.

Kim takes it all for granted, coming and going as she pleases, wandering away from the house without explanation, hanging out in the basement with the door locked and brushing off my questions about what the hell she's doing down there, and with whom. She doesn't listen when I talk to her and eats standing up in front of the refrigerator with the door open, yelling between bites that it's time for me to go to the store and get more milk. One evening I watch her polish off a plate of appetizers I have made for her, melon balls wrapped in prosciutto, downing them one after another like airline peanuts. When she's finished, she unbuttons the top button of her pants and ambles out the door and lets it slam without so much as a glance back at me. Without so much as a thank you.

I trot out after her, figuring it's about time I give her a suave, patient lecture, but I'm not fast enough and she slams the basement door in my face. I pound and scream for a while before giving up and going up into the yard to wait. The night is very still. There's a full moon and the hedges glow silver on the top and then fade to blue at the bottom. I get a glass of iced tea and pull a chair off the patio, thinking to myself that she can't stay down there forever. I think about how maybe I'll catch the caveguy when he comes out too. Maybe I can tie on an apron and offer them both baby wieners on a toothpick.

After a while I hear a rustling in the hedges. At that moment I'm too miserable to be aware of the specifics of what's going on around me, so I'm startled as hell when a cavegirl pops out of the hedge, backlit in the moonlight, and begins walking toward me with a slow, hesitant gate. I sit there, taking shallow breaths, not sure whether or not I should be afraid. She has a low brow and a tucked, abbreviated chin, like Don Knotts's, but her limbs are long and sinewy. When she gets closer I see that she looks a lot stronger than a human woman does, and of course, she's naked. Her breasts are like perfect human pinup breasts with bunny fur growing all over them. I can't unstick my eyes from them as they bob toward me, moving closer, until they come to a stop less than an arm's length from my chin. They are simultaneously furry and plump and I really want to bite them. But not hard.

She leans in closer. I hold very still as she reaches out with a leathery hand and begins to stroke my lapel. She lowers her head to my neck and sniffs. On the exhale I discover that cavegirl breath smells just like moss. She prods me a few times with her fingertips; after she's had enough of that she just rubs the fabric of my suit and sniffs my neck while sort of kneading me rhythmically, like a purring cat. It's pretty obvious she likes my suit-a shiny sharkskin number I've hauled out of the back of the closet in the interest of wooing Kim-and I guess she likes my cologne too. For a minute I feel special and chosen, but then it occurs to me that there's something sleazy and impersonal about her attention. I'm probably just a giant, shiny, sandalwood-scented object to her. The moon is behind her so I can't see her that clearly, but then she shifts and I get a better view of her face and I realize she's young. Really young. I feel like a creep for wanting to feel her up, more because she's about fourteen than because she's a Neanderthal.

She swings a leg over and settles her rump onto my thigh, lapdance-style.

I say: "Whoa there, Jailbait."

The cavegirl leaps up like she's spring-loaded. She stops a few feet away and stares at me. I stare back. She tilts her head from side to side in puzzlement. The moon shines down. I reach into my glass and draw out a crescent-shaped piece of ice, moving with aching slowness, and offer it to her on a flat palm. She considers this ice cube for a good long time. I hold my arm as still as possible while freezing water trickles off my elbow and my muscles start to seize. Then, after a few false lunges, she snatches it from my hand.

"Nar," she says. Just that. Then she darts back into the hedge with her prize.

I remain in the moonlight for a while, shaking with excitement. I feel almost high. It's like I've touched a wild animal; I've communicated with it-an animal that's somehow human, somehow like me. I'm totally giddy.

This is probably how it was with Kim and her guy when they first met.

I guess I'm a complete failure with every category of female because the cavegirl does not come back. Even worse, Kim continues to treat me like I'm invisible. It's painfully clear that my strategy of suaveness isn't working. So I say screw evolution. What's it ever done for me? I go out drinking with the guys and allow the house to return to a state of nature. The plates in the sink turn brown. I shower every other day, every third. Kim and I go days without speaking to each other. By this time there are hardly any cavemen left around town; the count is running at one or two dozen. I go to the bars and everyone is lounging with their drinks, all relaxed and relieved that the cavemen aren't really an issue anymore, while I continue to stew in my own miserable interspecies soap opera. I don't even want to talk to anyone about it. What could I say? Hey buddy, did I mention my girlfriend has thrown me over for the Missing Link? It's humiliating.

One hungover afternoon I decide to skip the bars and come straight home from the office. Kim, naturally, is not around, though this barely registers. I've lost interest in tracking her whereabouts. But when I go into the kitchen, I catch sight of her through the window, standing outside, leaning against the chinaberry tree. It looks like she's sick or something. She's trying to hold herself up but keeps doubling over anyway. I go outside and find her braced against the tree, sobbing from deep in her belly while a string of snot swings from her nose. She's pale and spongy and smudged with dirt and I get the feeling she's been standing there crying all afternoon. She's clutching something. A red bandana. So it was him. The one with gum on his butt.

"Where is he?"

"He's gone," she whispers, and gives me a sad, dramatic, miniseries smile. "They're all gone."

Her sobs begin anew. I pat her on the back.

So she's curled over crying and I'm patting her thinking well, well; now that the other boyfriend is gone she's all mine again. Immediately I'm looking forward to putting the whole caveman ordeal behind us and having a regular life like we had before. I see all sorts of normal activities looming in the distance like a mirage, including things we always made fun of, like procreating and playing golf. She blows her nose in the bandana. I put my arm around her. She doesn't shake it off.

I should wait I know, I should go slow; but I can see the opening, the niche all vacant and waiting for me. I feel absolutely compelled to exploit it right away, before some other guy does. I turn to Kim and say: "Babe, let's just forget about this whole caveman thing and go back to the way it was before. I'm willing to forgive you. Let's have a normal life without any weird creatures in it, okay?"

She's still hiccuping and wiping her nose but I observe a knot of tension building in her shoulders, the little wrinkles of a glare starting around the edge of her eyes. I realize I'm in grave danger of eliciting The Look. It dawns on me that my strategy is a failure and I'd better think fast. So I bow to the inevitable. I've always known I couldn't put it off forever.

I take a deep breath and drop to one knee and tell her I love her and I can't live without her and beg her to marry me while kissing her hand. She's hiccuping and trying to pull her hand away, but in the back of my mind I'm convinced that this is going to work and of course she'll say yes. I've never made an effort like this before; I've only told her I love her two or three times total, in my life. It's inconceivable that this effort won't be rewarded. Plus, I know her. She lives for this. This is exactly what she wants.

I look up at her from my kneeling position. Her hair is greasy and her face is smeared with dirthiccuping and wiping her nose but I observe a knot of tension building in her shoulders, the little wrinkles of a glare starting around the edge of her eyes. I realize I'm in grave danger of eliciting The Look. It dawns on me that my strategy is a failure and I'd better think fast. So I bow to the inevitable. I've always known I couldn't put it off forever.

I take a deep breath and drop to one knee and tell her I love her and I can't live without her and beg her to marry me while kissing her hand. She's hiccuping and trying to pull her hand away, but in the back of my mind I'm convinced that this is going to work and of course she'll say yes. I've never made an effort like this before; I've only told her I love her two or three times total, in my life. It's inconceivable that this effort won't be rewarded. Plus, I know her. She lives for this. This is exactly what she wants.

I look up at her from my kneeling position. Her hair is greasy and her face is smeared with dirt and snot, but she's stopped crying. I see that she has created a new Look. It involves a shaking of the head while simultaneously pushing the lips outward, like she's crushed a wasp between her teeth and is about to spit it out. It's a look of pity, pity mixed with superiority; pity mixed with superiority and blended with dislike.

"I don't want a normal life without any creatures in it," Kim says, her voice ragged from crying, but contemptuous nonetheless. "I want an extraordinary life, with everything in it."

The Look fades. She brings her dirty, snotty face to mine and kisses me on the forehead and turns and walks away, leaving me on my knees. I stumble into the house after her. I can smell a trail of scent where she's passed by, cinnamon and sweat and fabric softener, but though I run through the house after her, and out into the street, I don't see her anywhere, not all night. Not the night after that. Never again.

Some psychic with a towel on his head says the cavemen passed through his drive-through palm reading joint on their way back to the Pleistocene epoch, and I finally go over and ask him if he saw Kim with them. He has me write him a check and then says, Oh yeah, I did see her! She was at the front of this line of female cavemen and she was all festooned with beads and tinsel, like she was some sort of goddess! He says it in this bullshit way, but after some reflection I decide even charlatans may see strange and wondrous things, as we all had during the time the cavemen were with us, and then report them so that they sound like a totally improbable lie.

It's bizarre, the way time changes things. Now that the cavemen are gone, it seems obvious that their arrival was the kind of astonishing event people measure their entire lives by; and now that Kim is gone it seems clear that she was astonishing too, regal and proud, like she's represented in the cave painting. I once thought of her as sort of a burden, a pain-in-the-ass responsibility, but now I think of her as the one good thing I had in my life, an intense woman with great reserves of strength, forever vanished.

Or, I don't know; maybe I'm just a typical guy, don't know what I have until it walks out on me.

I've been trying to get over her, but I can't stop wallowing in it. One night we hold a drum circle on the site of the old Pizza Hut, and I swear that after this night, I'll force myself to stop thinking about her. This drum circle is the largest yet, maybe a couple of hundred people milling around, having the kind of conversations people have these days-you know, they were annoyed and frightened by the cavemen when they were here, but now that they're gone they just want them back, they want that weird, vivid feeling, the newness of the primitive world, et cetera. My job is to tend the fire. There's a six-foot pyramid of split pine in the middle of the circle, ready to go. At the signal I throw on a match. The wood is soaked in lighter fluid and goes up with a whoosh. Everyone starts to bang on their drums, or garbage can lids, or whatever percussive dingus they've dragged along, while I stand there poking the flames, periodically squirting in plumes of lighter fluid, as the participants wail and drum and cry and dance.

We are supposedly honoring the cavemen with this activity, but in truth no one ever saw the cavemen making fires or dancing or playing any sort of musical instrument. Apparently the original Neanderthal did these things; they also ate one another's brains and worshipped the skulls of bears, though no one seems anxious to resurrect these particular hobbies. Still, I admit I get kind of into it. Standing there in the middle, sweating, with the sound of the drumming surrounding me while the fire crackles and pops, it's easy to zone out. For a moment I imagine what it might be like to live in an uncivilized haze of sweat and hunger and fear and desire, to never plan, to never speak or think in words-but then the smell of lighter fluid snaps me back to how artificial this whole drum circle is, how prearranged and ignited with gas.

Later, when the fire has burned out, some New Age hardcores roll around in the ashes and pray for the cavemen to come back, our savage brothers, our hairy predecessors, et cetera, but of course they don't come back. Those guys look stupid, covered in ash. When the sun comes up, everyone straggles away. I get into my hatchback and listen to bad news on the radio as I drive home.

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Library of Congress subject headings for this publication: Short stories, American, Short stories, English, Motion picture authorship