Table of contents for Exploring Bach's B-minor mass / edited by Yo Tomita, Robin A. Leaver, and Jan Smaczny.

Bibliographic record and links to related information available from the Library of Congress catalog

Information from electronic data provided by the publisher. May be incomplete or contain other coding.

Part I. Historical Background and Contexts: 1. Past, present, and future - perspectives on Bach's B-minor Mass Christoph Wolff; 2. Bach's Mass: 'Catholic' or 'Lutheran'? Robin A. Leaver; 3. Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733 Janice B. Stockigt; 4. The role and significance of the Polonaise in the 'Quoniam' of the B-minor Mass Szymon Paczkowski; 5. 'The Great Catholic Mass': Bach, Count Questenberg and the Musicalische congregation in Vienna Michael Maul; Part II. Structure and Proportion: 6. Some observations on the formal design of Bach's B-minor Mass Ulrich Siegele; 7. Chiastic reflection in the B-minor Mass: lament's paradoxical mirror Melvin P. Unger; 8. Parallel proportions, numerical structures and harmonie in Bach's Autograph score Ruth Tatlow; Part III. Sources: 9. Many problems, different solutions: editing Bach's B-minor Mass Uwe Wolf; 10. Manuscript score No. 4500 in St Petersburg: a new source of the B-minor Mass Tatiana Shabalina; Part IV. Reception: 11. Haydn's copy of the B-minor Mass and Mozart's Mass in C Minor: Viennese traditions of the B-minor Mass Ulrich Leisinger; 12. A 'fairly correct copy of the mass'? Mendelssohn's score of the B-minor Mass as a document of the Romantics' view on matters of performance practice and source criticism Anselm Hartinger; 13. The B-minor Mass in nineteenth-century England Katharine Pardee; 14. Bach's B-minor Mass: an incarnation in Prague in the 1860s and its consequences Jan Smaczny; Appendix 1; Appendix 2.

Library of Congress subject headings for this publication:
Bach, Johann Sebastian, -- 1685-1750. -- Masses, -- BWV 232, -- B minor.