Table of contents for Library of Congress control number 2006285678

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* List of Illustrations * Acknowledgements * Note on Transliteration and Terminology* Richard Taylor: Introduction: Pudovkin Revisited * Our Working Methods in 'The Death Ray' [1924] * Photogeny [1925] * Montage [1925] * The Montage of a Scientific Film [1925] * 'The Mechanics of the Human Brain' [1926] * On 'The Battleship Potemkin' [1926] * The Mother. A Conversation with the Director, Pudovkin [1926] * The Mother. A Conversation with the Director, Vsevolod Pudovkin [1926] * The New Film. From a Conversation with the Director, Pudovkin [1926] * The Film Script (The Theory of the Script) [1926]* The Film Director and Film Material [1926] * 'Petersburg - Petrograd - Leningrad.' A Conversation with Vsevolod Pudovkin [1927] * 'The End of St Petersburg.' A Conversation [1927] * How We Made 'The End of St Petersburg' [1927/8] * S. M. Eisenstein (From 'Potemkin' to October) [1928] * Statement on Sound [1928] * 'The Descendant of Genghis-Khan.' A Conversation with the Director, Vsevolod Pudovkin [1928] * 'The Descendant of Genghis-Khan.' From a Conversation with the Director, Vsevolod Pudovkin [1928] * How I Work with Tolstoy [1928] * On Montage Rhythm [1928/9] * The 'Naturshchik' instead of the Actor [1929] * On the Principle of Sound in Film [1929] * Conversation on Sound Film [1929] * Our Picture [1929] * On the Language of the Script. A Conversation [1929]* Time in Close-Up [1931] * Sound and Image [1932] * The Role of Sound Cinema [1933] * Asynchronism as a Principle of Sound Film [1934] * The Problem of Rhythm in My First Sound Film [1934] * The Actor in Film [1933/4]

Table of contents for Selected essays / edited by Richard Taylor ; translated by Richard Taylor and Evgeni Filippov.