Publisher description for Savage sight, constructed noise : poetic adaptations of painterly techniques in the French and American avant-gardes / by David LeHardy Sweet.
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This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery--all chosen both for the experimentalism of their poetry and for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States. Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes.
Library of Congress subject headings for this publication: French poetry 20th century History and criticism, Apollinaire, Guillaume, 1880-1918 Knowledge Art, Reverdy, Pierre, 1889-1960 Knowledge Art, Breton, Andr‚e, 1896-1966 Knowledge Art, O'Hara, Frank, 1926-1966 Knowledge Art, Ashbery, John Knowledge Art, Art and literature France History 20th century, Art and literature United States History 20th century, Avant-garde (Aesthetics) France, Avant-garde (Aesthetics) United States