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Phillip Drummond offers a detailed account of High Noon's troubled production and its early public reception, along with career summaries of the key participants. He analyzes the dramatic organization of the film with close reference to the original short story and Carl Foreman's script, and concludes with an invaluable overview of the long history of critical debates, focusing on questions of social identity and gender.The result is a fresh, nuanced reading of a major classic.
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