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Jane Livingston draws on the artist's personal papers, including her journals and extensive correspondence, to provide an illuminating interpretation of the artist and her work. Linda Nochlin, who was a friend of Mitchell, discusses the artist's experience working in a field dominated by men. A third text by Whitney Curator Yvette Lee explores a distinctive and little-known suite of paintings entitled La Grande Vallee, created in 1983-84. Mounted with the full cooperation of the estate of Joan Mitchell, the exhibition contains many paintings rarely seen before--and in some cases never publicly exhibited. This book includes an exhibition history
an extensive artist bibliography of related monographs, reviews, and filmed interviews
and color plates and listing of all the works appearing in the exhibition.
Library of Congress subject headings for this publication: Mitchell, Joan, 1926- Exhibitions, Abstract expressionism United States Exhibitions